Trends
Event design
trends.
What is changing about the shape of events themselves — which matters more to the stationery than any palette does.
How is event design changing?
Four shifts with real consequences for stationery: events are becoming multi-day rather than single-session; the long table is displacing the round-table banquet; guest communication is being designed rather than left to whatever the venue does; and a growing share of serious design commissions are not weddings at all.
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1. Multi-day is now normal.
A welcome dinner, the day itself, a brunch. Sometimes three days. That changes the stationery from one invitation into a schedule — and it makes per-guest work far more valuable, because guests are frequently invited to different subsets of the weekend.
Elodie & Nikhil · The Water Between Us is three days at Uluwatu for 96 guests, which is a genuinely different design problem from a single evening.
02
2. The long table.
Rounds of ten are giving way to long tables, which changes the table pieces completely: runners rather than centrepieces, menus per setting or per stretch, place cards that have to work in a row rather than a circle.
Nessa & Ruben · The Hundredth Sunday — 26 guests at a table that seats fourteen — and Roelants & Zonen · The Thirty-Second Bench, twelve at a four-metre sewing bench.
03
3. Guest communication is being designed.
The messages guests receive between the invitation and the day — reminders, updates, travel details, the reply itself — used to be an afterthought sent from somebody's phone. They are increasingly part of the commission, written in the event's voice and carrying its design.
This is the shift closest to what this house actually does, so treat it as an interested observation. It is also the one with the clearest reason behind it: at any real guest count, those messages are the majority of the contact a guest has with the event.
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4. It is not only weddings.
Brand launches, restaurant openings, corporate anniversaries, milestone birthdays, baptisms, listening parties, a World Cup watch party. Serious design attention has spread well beyond the wedding, and those clients arrive with clearer briefs because they think in identity already.
Of the fifty commissions in the showroom, weddings are a minority — which was not true of this category five years ago.
A studio's vantage point is not a market survey. Everything above is drawn from what this house is asked to build, and people come to us for original design — a biased sample of the market by construction. No percentages are given because none have been measured.
The guest side, designed with the paper.
Every Evorrah commission includes the guest platform — replies, households, seating, communications — so the messages between the invitation and the day carry the same identity as the printed pieces.
See the platform