Mariana & TomásThe Pressed Card

The front is left bare for the calligrapher — the brief asks for hand addressing. Everything printed sits on the flap: the M&T mark, both names, and 27.5mm of barra.

The specimen above is the delivered artwork, with its real copy. This piece IS personalised: the suite ships a platform edition of it, and that is the file set for each guest.

{{GUEST_NAME}}{{POSTCODE}}{{CITY}}{{COUNTRY}}

No type at all. The liner is the barra at its deepest reading in the paper set — 57mm of terracotta soaked into the fold, so the colour arrives before a word does.

It reads the same for the whole room, so it prints once.

no placeholders

The first piece anyone holds. Both names, the date written out in full, the estate, and one line of promise — an invitation to follow — over a 28mm barra.

The specimen above is the delivered artwork, with its real copy. This piece IS personalised: the suite ships a platform edition of it, and that is the file set for each guest.

{{GREETING}}{{GUEST_NAME}}

The master object, and the only symmetric card in the set. Four clusters on the spine: the families’ line, the names, the invitation, the logistics. 46mm of barra.

The specimen above is the delivered artwork, with its real copy. This piece IS personalised: the suite ships a platform edition of it, and that is the file set for each guest.

{{GUEST_NAME}}{{DRESS_CODE}}

The smallest trim here, and the only piece meant to be written on. A name line, accept or decline, and room for anything the kitchen should know.

The specimen above is the delivered artwork, with its real copy. This piece IS personalised: the suite ships a platform edition of it, and that is the file set for each guest.

{{GREETING}}{{GUEST_NAME}}{{RSVP_QR}}

Dinner at the long tables, family-style. Four movements — to begin, at the table, to finish, to drink — with dietary marks set beside each dish, not in a legend.

The specimen above is the delivered artwork, with its real copy. This piece IS personalised: the suite ships a platform edition of it, and that is the file set for each guest.

{{GUEST_NAME}}{{DIETARY_NOTES}}

The day at Freixo do Meio, hour by hour: the ceremony on the threshing floor at half past four, oil and wine under the holm oaks, dinner at seven.

It reads the same for the whole room, so it prints once.

no placeholders

A tent card scored across the middle to 90×55mm, one guest to a card. The barra is down to 5mm — a trim line under a name, as quiet as this terracotta gets.

This piece already carried a guest's name — it shipped showing real ones. The platform simply sets each guest's own.

{{GUEST_NAME}}

Eight tables named for Alentejo towns rather than numbered — Monsaraz, Arraiolos, Estremoz, Marvão — each with its number kept small underneath.

It reads the same for the whole room, so it prints once.

no placeholders

The barra at architectural depth: 183mm of terracotta across a 610mm board. Above it only the welcome, the two names, the date and the estate.

It reads the same for the whole room, so it prints once.

no placeholders

Find your table. Every guest set under their town in the same EB Garamond the invitation gives the couple, sized for a reader who is standing.

The specimen above is the delivered artwork, with its real copy. This piece IS personalised: the suite ships a platform edition of it, and that is the file set for each guest.

{{SEATING_CHART_TABLES}}