Lily & JamesWhitfield

One salutation line, set in the card's own italic, above the line the couple wrote. Everything else is the delivered artwork, untouched.

{{GREETING}}{{GUEST_NAME}}{{#if plus_one}}

This piece was always personalised — it shipped showing six real guests. The first card now takes your name and your table; the other five are the suite as delivered.

{{GUEST_NAME}}{{TABLE_NAME}}

A forty-character name has to sit as well as a six-character one. The composition is tested at both ends before a suite ships.

A single courtesy line under the header — for the guest — in the card's own small caps. The courses are exactly as they were printed.

{{GUEST_NAME}}

The card was drawn with a blank M ____ line to be written on by hand. The platform simply fills it — same line, same rule, no redesign.

{{GUEST_NAME}}{{RSVP_QR}}

The design supplies the typography and the rules; the guest list supplies the tables. Move yourself between tables in the panel and the board is correct again.

{{SEATING_CHART_TABLES}}

The strictest piece in the suite: without the placeholder, generation fails outright rather than printing a board with a hole in it.

Same Field Study language, lighter in tone, and a shorter list — only the guests invited to the night before receive one.

{{GUEST_NAME}}{{GREETING}}

Not every piece should be personalised. An order of service is the same for the whole room, so it carries no tokens at all — one design, one print run.

no placeholders

Knowing which pieces to leave alone is part of the work. A name on a programme would be noise.

The numeral is set heavy so it reads from across a room. The place name underneath is what the couple will actually say out loud.

no placeholders

Four cocktails named for the county. One of them is named for a sky the Whitfields turned down — the only joke the suite tells.

no placeholders