Ondine Halász  ·  for Andor & Vivienne  ·  14 November 2026  ·  Le Petit Chardon, Paris

On Saute
Encore

A great pale field with almost nothing in it. The names are set once and very large; the distance between them and the foot of the card is the whole composition. Twelve pieces, one ground, one red, and a great deal of paper left alone on purpose.

Sixty years · 14.XI.1966 → 14.XI.2026

The direction

Names set once and very large, one hairline closing the top third, the story in a short measure, the paired date holding the right column, one red square, and one French line alone at the foot. Nothing on the card does two jobs.

The system

Everything below is fixed for the whole suite. Only the format and what the single red is doing change from piece to piece.

Colour, and its ration

Uncoated bone  #EDEAE3
95.8% of the sheet
Print black  #14140F
3.4% of the sheet
Le Saut red  #BE3A2B
0.8% of the sheet

The red is one 5.33mm square and one 9.6pt line — eight tenths of one per cent of the card. That is the whole of it.

Type

Andor & Vivienne

Bodoni Moda 700 — names and story

On saute encore

Jost 400, letter-spaced caps — every fact

Nothing is set below 9pt on any piece. Fourteen of the seventy-two guests are over eighty.

Paper & press

Stock 600gsm uncoated cotton rag, natural white
Press digital offset, 4/0, then blind deboss, no ink
Finishing single deckled foot edge · blind deboss (place cards and envelope flap only) · edge paint in Le Saut red (coat check tags only)
Envelope same bone, 135gsm, printed, jost caps 9.6pt, no liner

No foil, no gilding, no varnish, and nothing bleeds.

The twelve pieces

Each one shown as the finished artwork, at its own trim.

01

Invitation

Trim148 × 210 mm
The redone square at the right end of the name line
Carrieshairline · red square · French line · story · paired date

02

Save the Date

Trim148 × 105 mm
The redthe date itself, set large
Carriesthe date, set very large in red

03

RSVP Card

Trim105 × 148 mm
The redone filled dot beside ‘yes’
Carries

04

Details Card

Trim105 × 148 mm
The redthe word ‘Saturday’
Carries

05

Welcome Signage

Trim600 × 900 mm
The rednone — the one piece in the suite with no red
Carriesnames at full board height · French line · hairline

06

Order of the Evening

Trim105 × 297 mm
The redthe hour column
Carrieshairline

07

Menu Card

Trim120 × 230 mm
The redLe Saut, listed alone above the rule
Carrieshairline

08

Signature Cocktail Card

Trim90 × 90 mm
The redthe ground itself — the suite’s only reversed piece, carried whole from Variant 4
Carries

09

Place Card

Trim90 × 55 mm
The rednone — the guest’s name is the only mark
Carries

10

Table Numbers

Trim105 × 148 mm
The redthe table number, set large at the head
Carries

11

Coat Check Tags

Trim40 × 70 mm
The rededge paint on the board
Carries

12

Thank You Card

Trim105 × 148 mm
The redone square, as the invitation
Carriesthe empty mount frame · French line · red square

What happens next

These twelve are the finished designs. Say the word and they go to press on 600gsm uncoated cotton rag; the invitation and its envelope lead, the save the date follows immediately, and the thank-you card is held back and printed after the fourteenth with the photograph from the night tipped into it by hand.

Two things are still open and are yours to settle: whether On saute encore recurs on every piece or stays a remark on three, and whether Vivienne's green-blue — the stone she has worn for sixty years — earns a place anywhere in the suite. It currently has none, deliberately.

On saute encore