Evorrah

Send exactly this
to your print shop

A complete guide to printing your designs beautifully

Éléonore Delacroix & Maximilien FournierWeddingOctober 17, 2026Château de Marcilly, Amboise
01
Step 01

The files your printer needs

Your Evorrah designs are delivered print-ready and wait in your client portal, one PDF per piece. Send the PDF exactly as received — do not resize, re-export, or adjust colours, and do not let a print shop “fix” it for you without telling you what they changed. If a printer asks for a native file, they have misunderstood: a print-ready PDF is the native file.

Format
PDF, print-ready
Colour Mode
CMYK
Resolution
300 DPI minimum
Bleed
0.125″ on all sides
Colour Profile
GRACoL2013 (CRPC6) — the US sheetfed standard, already embedded in your files
Measured on your files — not yet recorded. The specification above is what this house intends for each piece; once your files pass the studio's print preflight, this guide will also carry the trim, bleed and ink coverage measured on the files themselves. Ask the house for the measured sheet before a large run.
02
Step 02

Your pieces, and how many of each

Send these files to a specialty stationery printer. The quantity column is the part to read twice: these pieces do not all count the same way, and a single number applied to every row is how people order ten times more table numbers than they have tables.

PiecePrint specificationsHow many
InvitationPDF · CMYK · 5×7″ · 0.125″ bleedOne per householdcount the envelopes you will post, not the guests — a couple at one address is one
Save the DatePDF · CMYK · 5×7″ · 0.125″ bleedOne per householdcount the envelopes you will post, not the guests — a couple at one address is one
Menu CardPDF · CMYK · 4×9″ · 0.125″ bleed132120 guests + 12 spare for proofs and mistakes
Place CardsPDF · CMYK · 2×3.5″ folded · 0.125″ bleed132120 guests + 12 spare for proofs and mistakes
Table NumbersPDF · CMYK · 5×7″ · 0.125″ bleed1412 tables + 2 spare for proofs and mistakes
Order of ServicePDF · CMYK · A5 Folded (5.83×8.27″) · 0.125″ bleed132120 guests + 12 spare for proofs and mistakes
Itinerary CardPDF · CMYK · 4×9″ · 0.125″ bleedOne per householdcount the envelopes you will post, not the guests — a couple at one address is one
EnvelopePDF · CMYK · A7 Envelope (5.25×7.25″)One per householdcount the envelopes you will post, not the guests — a couple at one address is one
“One per household” is not a number, and that is deliberate. The house records how many guests you have, not how many addresses you post to — a married couple at one address is one invitation, one reply card, one envelope. Count your envelopes and use that figure, then add ten per cent.
03
Step 03

Paper, ink and finishing

These are the materials you chose in your briefing. Every one of them changes what your printer has to do, what it costs, and how long it takes — so this is the part to read aloud to them.

Paper
Cotton Rag

Made from cotton fibre rather than wood pulp — thick, soft, faintly furry at the edge. The traditional stock for letterpress and engraving because it takes an impression deeply.

Watch for — Never let anyone laminate cotton rag. Lamination seals the surface and flattens the impression you are paying for.

Printing technique
Engraving

The design is cut into a metal die, filled with ink, and pressed so the ink stands up off the sheet. The sharpest and most formal method there is — you can feel the raised type, and see its bruise on the reverse.

What it needs first — A hand-cut die per piece, per colour. Dies are the largest single line on an engraved quote and the slowest thing to make.

Watch for — Very few shops still engrave. Ask for engraving by name and confirm they do it in-house — thermography imitates the raised feel for a fraction of the price and is a different product, not a substitute.

Finishing
  • Wax seal — Not a print-shop job at all. It is ordered from a wax-seal artisan or supplier — see the wax seal section below.
  • Gold edge gilding — Gold applied to the cut edge of the card after trimming. Hand work by a specialist, and one of the slowest finishes there is — allow at least an extra week, and confirm whether your printer does it in-house or subcontracts it.
  • Tissue interleaving — A sheet of tissue laid over the invitation before it goes into the envelope, traditionally to protect wet engraving ink. Ask for it to be inserted during assembly rather than sent loose in a box.
Allow this much time
Engraving — 4–8 weeks. A hand-cut die per piece, per colour. Dies are the largest single line on an engraved quote and the slowest thing to make.
04
Step 04

Your printing timetable

Counted backwards from your event. These use typical trade turnarounds for Engraving — they are a plan to check against your printer, not a promise from one. The only date here that cannot move is the last.

WhatBy whenWhy
Your files reach youAugust 28, 2026from the studio
Place the print orderJuly 29, 2026safely — August 26, 2026 is the last date that still works at the fast end of production
Approve your proofAugust 15, 2026allow 10 days for a physical proof to reach you and go back
Pieces in your handsOctober 10, 2026a week before, never the day before
Your eventOctober 17, 2026
Your files are scheduled to reach you after the last date above. Speak to the studio and to your printer before you commit to a stock or a finish — a faster technique, or splitting the order so the pieces used on the day print first, is the usual way through.
Invitations run on a different clock
Everything above is the timetable for the pieces used on the day. Invitations have to be posted six to eight weeks before the event — ten to twelve if guests are travelling to you — which for October 17, 2026 means posting by around August 22, 2026. Your reply-by date is September 12, 2026, so guests need the invitation in hand well before it. If that date is tight, ask the studio about sending the save the date first.
05
Step 05

What to say to your stationery printer

Send this to your print shop by email, or read it out in person. It contains everything a shop needs to quote without a second exchange.

Your message — copy and send

“Hi, I have print-ready PDFs from my designer at Evorrah — CMYK, 300 DPI, 0.125″ bleed, colour profile GRACoL2013 (CRPC6). I would like them printed on Cotton Rag, engraving. Finishing: Wax seal, Gold edge gilding, Tissue interleaving. Quantities: Menu Card ×132, Place Cards ×132, Table Numbers ×14, Order of Service ×132. Invitation, Save the Date, Itinerary Card and Envelope are one per household — I will confirm the exact envelope count. Please send me a physical proof on the actual stock before starting the full run. I need the finished pieces by August 28, 2026. Please confirm paper availability, the setup or die charges, and your turnaround before proceeding. Thank you.”

06
Step 06

When the proof arrives

A proof is not a formality and it is not a preview — it is the last moment the job is still free to change. Check these six things, in this order, in daylight rather than under a lamp.

1
Every name, date and time
Read them aloud, and have somebody who did not write them read them too. Names and dates are what actually gets reprinted, far more often than colour.
2
The paper, by hand
Weight, texture and colour of the sheet itself. If it is not the stock you asked for, say so now — this is the one thing that cannot be corrected after the run.
3
Colour, against your other pieces
Lay the proof beside the rest of the suite. Colours drift between stocks and between presses; what matters is that the pieces look like one another, not that they match a screen.
4
The trim edge
Nothing important should sit closer than about 3 mm to the cut. Check the corners of the sheet and the edges of any border — trimming varies by a hair across a run.
5
The smallest type in the suite
Fine type is where a texture, a foil or a technique gives up first. If it has broken up or filled in, it will do so on every copy.
6
The whole thing, assembled
Card in envelope, liner in place, seal on. Ask for one complete assembled sample. A suite can be right piece by piece and still not close.
Approve in writing, and keep the approved proof. If a delivered run does not match it, the proof is what the conversation is about.
Your envelopes
07
Step 07

Hand calligraphy

A calligrapher addresses each envelope by hand, in ink, from your guest list. This is a separate booking from your printer and it happens AFTER the envelopes are printed and BEFORE they are stuffed, so it sits in the middle of your schedule rather than at the end of it.

A different printer from your stationery
08
Step 08

Large format pieces

Seating charts, welcome signs and signage go to a large-format printer — a shop like FedEx Office, Staples, or a local sign and display printer. This is a separate order from your stationery, usually a few days rather than a few weeks, and it is the one part of your suite you should NOT hand to the stationery shop. Large-format shops supply their own board or paper: send the print-ready PDF and specify the dimensions.

PiecePrint specificationsHow many
Seating ChartPDF · CMYK · 24×36″ · 0.125″ bleed1a single display piece — no spare margin applies
Ask for the board to be mounted on foam board or Dibond if it will stand on an easel, and ask to see it standing before you leave — a 24×36″ print on unmounted paper curls within an hour.
09
Step 09

What to say to your large-format printer

Your message — copy and send

“Hi, I have print-ready PDFs at 300 DPI, CMYK with 0.125″ bleed. I need the following large-format pieces printed: Seating Chart. Please advise on your available board options and mounting, confirm the exact print dimensions, and send me a digital proof before the full run. I need the pieces by August 28, 2026. Thank you.”

Your suite includes a wax seal
10
Specialty vendor

Wax seals — an artisan, not a print shop

Wax seals are not produced by a print shop and no printer will quote for them. You need a wax-seal artisan or specialty supplier — search Etsy for custom wax seal makers, or use a dedicated wax studio. The studio delivers the artwork; the vendor either cuts a brass stamp from it or produces ready-made seals with your design on an adhesive backing.

Two practical points nobody mentions until it is late: ready-made adhesive seals survive the post, hand-poured seals on a sealed envelope often do not — if the seals must travel, ask for adhesive-backed. And if the invitation is engraved or letterpressed, order the seals early enough to test one on the real envelope before the whole run is stuffed.

Your message — copy and send

“Hi, I have a custom wax seal design file from my designer (1.25″ diameter, high-res PNG and vector PDF). I need wax seals produced in a colour that matches my event palette — I’ll send you the hex codes. Please confirm available wax colours, minimum order quantity, per-unit price, whether they are adhesive-backed, and production time. I need them by August 28, 2026. Thank you.”

Digital files

No printer needed

One piece in your suite is digital and needs no print shop — Custom Monogram. It waits in your client portal to download and share.

If this is your first time

Choosing a printer

A commercial printer and a stationery printer are different trades. The shop that prints your business cards well will not necessarily letterpress a cotton sheet well, and asking the wrong shop produces a cheap quote and a disappointing object.

Afterwards

When they arrive

Photograph them before they are posted — flat, from directly above, in morning light near a window, and close enough to read the paper. Foil, emboss and grain only exist in macro, and once the invitations are in the post the whole set is never in one place again. If you post them anywhere, tag @evorrah and we will reshare.