Everything you have been sent is built from a very small number of decisions. They are written down here so that anything you make yourselves — a card at a place, a note left at the desk — still looks as though the same person wrote it.
A cream sheet, one brown ink, and a red that appears only where a second hand has written. That is the palette. The red is not decoration and it is not a highlight: it marks the moment somebody added a name that was not supposed to be there.
There is no crest, no monogram in a circle, and no ornament. The mark is the writing itself — a real hand at a real weight, set enormous, with everything else standing quietly at the edges and waiting. If a flourish appears it is because somebody was writing quickly, not because one was drawn on afterwards.
Engraved from a hand-cut die on cotton rag, with tissue interleaving and envelopes addressed by hand in the same ink. You can feel the type with a fingertip and see its bruise on the reverse — that impression is the whole finish, and there is nothing metallic anywhere.
This is your event's visual identity. If you make anything yourselves, use these exact colours and these two typefaces — the restraint is the design.
#FBF6E4 · #3B2A22 · #9E2B34 · #5E1B21 · #E7E2D6
Register cream — the leaf itself · Iron-gall brown — every word · The second hand, in red · The same red, older · Foxed paper, in that order.
Pinyon Script and Fraunces are both free and open-source, and both are on Google Fonts — search the name, install the family, or pick it straight from the font menu in Canva, Google Docs or Word. You do not need a licence and you do not need to ask us.
Your locked palette is the source of these, and the ones beyond it were read off your delivered pieces — if you want those confirmed against the press proof, ask the studio.