Everything you have been sent is built from a very small number of decisions. They are written down here so that anything you make yourselves — a sign at the front desk, a card on the buffet, a tag on a bag — still belongs to the same afternoon.
Four, and the proportions matter more than the colours do. Persimmon is the field and it floods the whole piece; cream is only ever what is cut out of it, never a colour laid on top. The blue is every word. The pale blue appears once, as an edge or a plinth, and never as a second field.
There is no logo. The mark is an arch — the shape of the shade under a motel awning — knocked out of a flooded persimmon ground, with everything you need to read held inside the cool of it. It is structural, not applied: you do not put the arch on a piece, you cut the piece out of the arch. Nothing is ever printed on the persimmon field itself.
Flat screen-printed spot colour on rigid duplexed board, with a painted edge and a die-cut crown. Screen print lays the colour down thick and flat — that density is the whole effect, and a printer offering to run it digitally to save a plate is offering you a different object.
This is your event's visual identity. If you make anything yourselves, use these exact colours and these two typefaces — the restraint is the design.
#E24E12 · #F7EFE0 · #3F5B6E · #A9D5EF
Awning persimmon · Shade cream · Pool-shadow blue · Chlorine pale, in that order.
Yellowtail and Hanken Grotesk are both free and open-source, and both are on Google Fonts — search the name, install the family, or pick it straight from the font menu in Canva, Google Docs or Word. You do not need a licence and you do not need to ask us.