Official Transmission · Vendor CopyNo. PM-2026-XII-V

Peter & Melissa

Vendor guide · Grand Hôtel du Bout du Monde, Arctic Wing

If you are reading only one part

Whoever prints it
Two colours: Polar Navy and Arctic Rose, on natural uncoated stock. 300gsm for the invitation, 250gsm for the save the date, and the reply card carries a real tear line. Uncoated and tactile throughout — nothing laminated, nothing gloss. A telegram is a working document; a shine turns it into a souvenir.
Anyone using the colours
Navy is structure, never a field. It is the band across the top, the band at the foot, and every line of type — it is never printed on. There is no navy on navy. Rose leads in millimetres: the 2mm rule under the band, the italic ampersand, one word such as Urgent. There is no sixth colour on paper.
Anyone reproducing the mark
The two flamingos sit in the sender block only, left of the dispatch text, at 36 × 52px on every piece. Never enlarged, never centred, never used as a logo. There is no monogram and no pair of initials anywhere in this identity — the birds do that job, and they do it quietly.
Anyone writing a line
Wire-service register, held with a completely straight face. A guest is a recipient, an RSVP is a reply, attendance is a matter of record. The joke is never signalled — deadpan, never winked at, and no exclamation marks.

The event

The evening

Date
Sunday, 20 December 2026
From
Seven o’clock
Where
Grand Hôtel du Bout du Monde
The Arctic Wing
Guests
200 and over
Filing reference
No. PM-2026-XII — it appears on every piece and the numbers are sequential, not decorative. The save the date is No. PM-2026-I.

The visual identity at a glance

Two inks, and four supporting tones

Cream#F0EDE6 · the paper
Card face#FDFCFB · the stock
Polar Navy#1E2D5A · ink one
Arctic Rose#C9918A · ink two
Blush Drift#E5BDB8 · in the band
Glacial Slate#7B94B5 · the quiet register
One deliberate exception, so nobody “corrects” it. On the reply card the rose is darkened to #AD5A50 for the small type only. That is a contrast remediation, not a seventh colour, and it applies to that piece and no other. Everywhere else the rose is #C9918A.
Two faces, and each has one job. Peter & Melissa Cormorant Garamond — the two names and the headline. The only lines allowed to be beautiful. Date of transmission · 20 . XII . MMXXVI · Reply requested Montserrat, letterspaced — every filing line: the transmission number, the date, the venue, the reply instruction. Detail, never decoration.

Match to the printed piece, not to these squares. This is a two-colour job on uncoated stock and no screen shows that honestly — hold the drawdown.

Stationery arriving

PieceStock & formatHow many
Save the Date250gsm natural uncoated · A5 portrait, 148 × 210mm · navy + roseone per household
Invitation300gsm natural uncoated · A5 portrait, 148 × 210mm · navy + roseone per household
Reply CardNatural uncoated, with a real tear line and confirmation stubas invitations
Dinner MenuNatural uncoated · A5 portraitone per cover, + 10%
Place CardNatural uncoated · 360px card, tent formatone per seated guest, + 10%
Thank You CardNatural uncoated · A5 portraitas invitations

The counts above are per household or per cover, not per guest, and the final numbers come from the confirmed list. This event is over 200 people and the household count is materially smaller than the head count — ask the studio for the reconciled figure before you order, rather than multiplying.

Day-of notes

Notes

The numbering
Every piece carries a transmission number and they run in sequence through the event — I for the save the date, XII for the invitation, XII-M, XII-P, XII-T for the menu, the place card and the thank you. If a new piece is added it takes the next number in that series; it does not invent its own.
The tear line
Real, not printed. The reply card is meant to come apart, and the stub is the half the guest keeps.
The band
40px solid navy at the head, a 2px rose rule beneath, and a second navy band at the foot. That structure is the identity — a piece without it is not in the suite.
The venue
The Grand Hôtel du Bout du Monde is written exactly that way, with the circumflex, on every piece.

Please do not

  • No navy on navy. Navy is structure and type — never a field to print on.
  • No nested cream fields, and no warm-to-white gradients.
  • No enlarging, centring or re-colouring the flamingos. Sender block, 36 × 52px, and nowhere else.
  • No monogram, no initials mark, no crest.
  • No sixth colour on paper — the terracotta lives in the photographs and was never printed.
  • No lamination, no gloss, no varnish.
  • No signalling the joke. Deadpan throughout, and no exclamation marks anywhere.

Questions about anything on this sheet

Ask the studio directly rather than working around a detail — hello@evorrah.com. The two-ink separation and the flamingo line art can be sent to a supplier on request.

Peter & Melissa · Sunday, 20 December 2026 · Grand Hôtel du Bout du Monde, Arctic Wing · prepared by Evorrah

EndsEvorrah · hello@evorrah.com