If you are reading only one part
- Whoever prints it
- Heavy uncoated stock, sky-blue print, four-colour CMYK, in a
gloss or matte finish. That is quoted from this suite’s own production spec — it is the stock the
invitation was actually printed on, not a recommendation. The scoreboard is the exception in
format rather than material: it is landscape courtside signage, read across a lawn.
- Anyone using the colours
- Six colours, each with one job. Sky is the ground — the
surface this world is set on. Linen is the relief where a paragraph needs room, and it is
never pure white. The dark green is ink and only ink: every word in this world is
set in it, and it is never the ground of anything. Fuchsia is a signal — a band, a 40mm rule, one
word — never a field.
- Anyone reproducing the mark
- The motif is a painting: a tennis ball whose seams
bloom into tropical botanicals. It is never redrawn as line art, never flattened to a
silhouette, and never tiled as a pattern. One ball per surface, large, or not at all. The
high-resolution file comes from the studio — do not upscale a web copy.
- Anyone writing a line
- Short, warm and sporting, like a club noticeboard written by
someone charming — and it never explains itself. DM Sans is never set bold.
The event
The afternoon
- Date
- Sunday, 3 May 2026
- Play
- Two o’clock until five; arrive from a quarter to
- Where
- Rose Court Estate
12 Rose Court Drive, Bel-Air
- Courts
- Three, with a timed order of play — which nobody will stick to
- Replies by
- 20 April 2026
- Guests
- Not yet confirmed. See the note under the table below before you order.
The visual identity at a glance
Six colours, each with one job
Linen#F5EFE6 · the relief
Fuchsia#E84B7B · the signal
Garden#2E6B47 · botanical
Coral#F4956A · the warmth
Two colours you may see on screen that are not in the suite. The warm grey behind every
card in the design files (#C8C0B5) is the studio mount — it is the surface the card is
photographed on, not part of the identity. And the paper white on the presentation boards
(#F7F2EA) belongs to those boards, not to the printed pieces. Neither should be quoted to a
printer.
Two faces, and each has one job.
Match Point
Playfair Display, set tight and heavy — the headline and the piece titles. The only thing on
a card that shouts.
Court One · Two o’clock · Whites optional
DM Sans — the times, the courts, the dishes, the names. Widely letterspaced where it labels.
Never bold.
Match to the printed piece, not to these squares. This is a
four-colour build on heavy uncoated stock and no screen shows that honestly — hold the drawdown,
and check the sky in particular.
Stationery arriving
| Piece | Format, as delivered | How many |
|---|
| Invitation | Portrait card · sky hero over a linen detail panel | one per household |
| Order of Play | Portrait card, wider · three courts, timed | one per guest, + 10% |
| Menu Card | Portrait card · sky header over linen body | one per cover, + 10% |
| Place Cards | Tent fold · sky face, dark reverse | one per seated guest, + 10% |
| Scoreboard | Landscape courtside signage · read from across a lawn | one per court |
| Thank You Card | Portrait card · linen body | as invitations |
⚠ There is no confirmed guest count for this event, and this guide will not invent one.
Every quantity above is a rule — one per household, one per cover, one per court — and not a
number, because no head count exists in the studio’s records for this party. The ten names shown on
the place-card sheet are a printing sample, not the guest list. Ask the client for the final
count, then apply the rules above and add 10% for proofs and mistakes. The one number that is
fixed is the scoreboard: three courts, three boards.
Day-of notes
Notes
- The stripe
- Four bands in one order — sky, garden, fuchsia, coral — and that order does
not change. It is the suite’s signature and it reads as a scoreboard tape.
- The scoreboard
- The only landscape piece, and the only one meant to be read at distance.
Its reverse is the dark green; that is the one place the dark reads as a field, and it is
signage, not stationery.
- Reading distance
- A place card is read at arm’s length and a scoreboard from across a
court. The type scales; the colours do not.
- The ball
- One painting, and there is exactly one authoritative file. If a piece needs it
larger than the web copy allows, ask the studio — do not upscale.
Please do not
- No dark green as a background. It is ink, everywhere except the scoreboard reverse.
- No pure white in place of linen.
- No fuchsia as a field — it is a band, a short rule, or one word.
- No redrawing the ball as line art, no silhouette, no tiled pattern.
- No DM Sans set bold.
- No corporate navy, no dark backgrounds, no stock photography.
- No mixing this world with the pink-court direction that was not chosen.
Questions about anything on this sheet
Ask the studio directly rather than working around a detail —
hello@evorrah.com. The high-resolution motif and the
four-colour breakdown can be sent to a supplier on request.