Your event identity — the kitchen table

Everything you have been sent was drawn at a table before anything was cooked. It is written down here so that anything the room needs later — a card on the pass, a note on a door, a list for a supplier — still looks like it came from that same morning.

The colours

Warm paper, cold fish, garden greens, and one hot red used sparingly. Shell cream is the paper and is never printed as a colour; mackerel blue is the ink and sets every typed line; garden olive is the script and the wordmark. Chilli brick lives inside the drawings and does not set words — nor does the onion plum, which is a display size or nothing.

Shell cream — the ground, and the paper itself

#F6EDE3

Mackerel blue — the ink, and every typed line

#3D6B99

Garden olive — the script, and the wordmark

#3D4A2C

Chilli brick — inside the drawings only

#8E3B2C

Onion plum — display sizes only, never body copy

#8C6A8E

The two typefaces

MARRAM — Opening Dinner

Pinyon Script — the words that come back every service — the course headings and the table names, and nothing that changes with the season.

MARRAM

IBM Plex Mono — everything else, typed and lower case, exactly as it is written on the pass.

The one mark

There is no crest and no monogram. The mark is the ingredients themselves, drawn in ink and watercolour — the fish whole, the asparagus in a bundle, the onion cut so the rings show. Raw, never plated; drawn, never photographed. The whole group appears on the invitation, the menu and the signage, and every smaller piece takes one or two objects only — the full cast is never repeated twice. The asparagus is there deliberately: it is what Iona’s grandmother grew most of at Rinsey, and it is in season the week the room opens.

Shell-cream uncoated board with a tooth to it, deckled edge, offset litho in full colour so the watercolour keeps its own edges. Nothing is coated, foiled or embossed — the paper should feel like something that was drawn on at a table, which is what it is.

Your suite

Invitation99 × 240 mm

Menu card99 × 240 mm

Save the date105 × 148 mm

Envelope liner162 × 229 mm

Place card90 × 55 mm

Table number100 × 100 mm

Welcome signage500 × 700 mm

Wine and bar list99 × 150 mm

Thank you card105 × 148 mm

Using it yourselves

This is your event's visual identity. If you make anything yourselves, use these exact colours and these two typefaces — the restraint is the design.

The colours, to copy

#F6EDE3 · #3D6B99 · #3D4A2C · #8E3B2C · #8C6A8E

Shell cream — the ground, and the paper itself · Mackerel blue — the ink, and every typed line · Garden olive — the script, and the wordmark · Chilli brick — inside the drawings only · Onion plum — display sizes only, never body copy, in that order.

The two typefaces, and where to get them

Pinyon Script and IBM Plex Mono are both free and open-source, and both are on Google Fonts — search the name, install the family, or pick it straight from the font menu in Canva, Google Docs or Word. You do not need a licence and you do not need to ask us.

6 rules, if you make something new

Every typed line is lower case, the dishes included. That is how they are written on the pass.
The script carries only what repeats every service — menu, starter, main, dessert, drink, bar, thank you, and the table names. Anything seasonal is typed.
Raw ingredients, drawn by hand. The fish whole, the asparagus bundled, the onion cut open.
The whole group on the invitation, the menu and the signage. One or two objects everywhere else.
No ornament of any kind — no rules, no borders, no boxes, no crest.
Two faces and no third, and the wordmark is never set in the script.

Your locked palette is the source of these, and the ones beyond it were read off your delivered pieces — if you want those confirmed against the press proof, ask the studio.