Eloise Wren Calloway

Vendor guide · her baptism

If you are reading only one part

Florist
Nothing that does not grow in the chapel garden. The suite's garden is engraved from a real bowl — dahlias, wild roses, sword ferns, berry sprigs. No stock peonies, no eucalyptus, no pampas. And no pastel nursery register at all: this is a christening, not a baby shower.
Chapel / venue
The palette, and the note on the cross: the only religious mark in the whole suite is a slim typographic Latin cross, the shape of the chapel's own. Please do not add a heavier one to signage or the order of service.
Photographer
The stationery list is the shot list. Worth a frame: the bowl itself, the deckled edge of the invitation in raking light, and the letterpress impression — it only reads at an angle. Note that no printed piece in this suite carries a photograph of the baby; that is a stated rule of the design.
Luncheon / planner
A standing luncheon in the garden at Church Street from twelve; cake cut at one, after the toast to the godparents. Everything else is under Day-of notes.

The event

Date
Sunday, 27 June 2027
Service
Eleven o'clock
Chapel
St Cecilia's Chapel
12 Legare Street, Charleston
Chapel character
A small early-nineteenth-century Episcopal chapel of stuccoed brick, set back behind a wrought-iron gate — lime-washed walls, a plain Palladian window over the altar, worn heart-pine underfoot.
Luncheon
Standing, in the garden at Church Street, from twelve
Guests
74
Dress
Sunday best
Replies by
6 June 2027

The visual identity at a glance

Porcelain#FAF8F2
Canton blue#3F6389
Second tint#5C80A6
The veil#B9CBD9
Lime-wash#E7E3DA
Typefaces: Pinyon Script for her name alone, Cormorant Garamond for the text, and Cormorant SC for the small capitals.

One blue, printed at three strengths, on a soft-white cotton sheet — that is the entire palette. The full strength carries every word; the second tint draws the garden; the palest is a veil that lets the engraved rim ramp down into the well of the card. There is no metallic anywhere in this suite — the bowl has none, and neither should anything you add.

Match to the printed piece, not to these squares. These are screen values. The stationery is letterpressed, so the blue sits in an impression and reads deeper at an angle and paler flat on — and the chapel is lime-washed, which cools everything. Ask for a printed piece before ordering ribbon, linen or painted signage.

Stationery arriving

PieceTrimQuantity
Invitation5 × 7″, deckled long edgesone per household
Envelope + printed linerto envelope sizeas invitations
Save the date5 × 7″as invitations
Order of serviceA5 folded82
Luncheon menu4 × 9″82
Place card2 × 3.5″ folded82
Welcome sign24 × 36″1
Favour tagsmall tag82
Thank you card4.25 × 5.5″one per household

Counts are 74 guests plus a proofing margin. “One per household” is the envelope count, not the guest count.

Day-of notes

The bowl
A blue-and-white Canton porcelain bowl that has held the water at every Calloway christening since 1931 — Caroline's grandmother, her mother, Caroline, and now Eloise. It is not valuable and it is chipped at the foot. Please handle it as the object it is and do not substitute a font bowl for it, at any point, for any reason.
The garden
The engraved rim of that bowl is the entire ornament of the suite: dahlias, wild roses, sword ferns, berry sprigs, two swallows and one small bird low on the left. The complete four-sided frame belongs to the invitation and the welcome sign only. Every smaller piece gets a fragment — a running band, a corner spray, a single sprig, one bird.
The wren
She is named Eloise Wren, for that bird and for her great-grandmother Wren Calloway. The bird appears exactly once per piece, never twice — and never on the order of service, because the service is not about the bird.
The cross
A slim typographic Latin cross, the shape of the chapel's own, and it is the only religious mark anywhere in the suite. Nothing heavier, nothing added.
Luncheon
Standing, in the garden at Church Street, served from twelve. Cake is cut at one, after the toast to the godparents — not before.
Material
Letterpress from photopolymer, one blue ink in three tint strengths, soft-white cotton rag at 600 gsm duplexed, deckled on the long edges, with a printed liner of the same garden. No foil, no emboss, no wax seal. Envelopes are addressed by hand in the same blue.

Please do not

This list is the family's own words. The standard they gave us was Caroline's: “I want it to look like something that has always been in the system.”

Questions about anything on this sheet

Ask the studio directly rather than working around a detail — hello@evorrah.com. Artwork, vector files and colour references for anything listed here can be sent to a supplier on request.

The Baptism of Eloise Wren Calloway · Sunday, 27 June 2027 · St Cecilia's Chapel, Charleston · prepared by Evorrah