Eloise Wren Calloway
Vendor guide · her baptism
If you are reading only one part
- Florist
- Nothing that does not grow in the chapel garden. The suite's garden is
engraved from a real bowl — dahlias, wild roses, sword ferns, berry sprigs. No stock peonies, no
eucalyptus, no pampas. And no pastel nursery register at all: this is a christening, not a baby
shower.
- Chapel / venue
- The palette, and the note on the cross: the only religious mark in
the whole suite is a slim typographic Latin cross, the shape of the chapel's own. Please do not add
a heavier one to signage or the order of service.
- Photographer
- The stationery list is the shot list. Worth a frame: the bowl itself, the
deckled edge of the invitation in raking light, and the letterpress impression — it only reads at
an angle. Note that no printed piece in this suite carries a photograph of the baby; that is
a stated rule of the design.
- Luncheon / planner
- A standing luncheon in the garden at Church Street from twelve; cake
cut at one, after the toast to the godparents. Everything else is under Day-of notes.
The event
- Date
- Sunday, 27 June 2027
- Service
- Eleven o'clock
- Chapel
- St Cecilia's Chapel
12 Legare Street, Charleston
- Chapel character
- A small early-nineteenth-century Episcopal chapel of stuccoed brick, set
back behind a wrought-iron gate — lime-washed walls, a plain Palladian window over the altar, worn
heart-pine underfoot.
- Luncheon
- Standing, in the garden at Church Street, from twelve
- Guests
- 74
- Dress
- Sunday best
- Replies by
- 6 June 2027
The visual identity at a glance
Typefaces: Pinyon Script for her name alone, Cormorant Garamond for the text,
and Cormorant SC for the small capitals.
One blue, printed at three strengths, on a soft-white cotton sheet — that is the entire palette.
The full strength carries every word; the second tint draws the garden; the palest is a veil that lets
the engraved rim ramp down into the well of the card. There is no metallic anywhere in this
suite — the bowl has none, and neither should anything you add.
Match to the printed piece, not to these squares. These are screen values. The stationery is
letterpressed, so the blue sits in an impression and reads deeper at an angle and paler flat
on — and the chapel is lime-washed, which cools everything. Ask for a printed piece before ordering
ribbon, linen or painted signage.
Stationery arriving
| Piece | Trim | Quantity |
| Invitation | 5 × 7″, deckled long edges | one per household |
| Envelope + printed liner | to envelope size | as invitations |
| Save the date | 5 × 7″ | as invitations |
| Order of service | A5 folded | 82 |
| Luncheon menu | 4 × 9″ | 82 |
| Place card | 2 × 3.5″ folded | 82 |
| Welcome sign | 24 × 36″ | 1 |
| Favour tag | small tag | 82 |
| Thank you card | 4.25 × 5.5″ | one per household |
Counts are 74 guests plus a proofing
margin. “One per household” is the envelope count, not the guest count.
Day-of notes
- The bowl
- A blue-and-white Canton porcelain bowl that has held the water at every Calloway
christening since 1931 — Caroline's grandmother, her mother, Caroline, and now Eloise. It is not
valuable and it is chipped at the foot. Please handle it as the object it is and do not
substitute a font bowl for it, at any point, for any reason.
- The garden
- The engraved rim of that bowl is the entire ornament of the suite: dahlias,
wild roses, sword ferns, berry sprigs, two swallows and one small bird low on the left.
The complete four-sided frame belongs to the invitation and the welcome sign only. Every
smaller piece gets a fragment — a running band, a corner spray, a single sprig, one bird.
- The wren
- She is named Eloise Wren, for that bird and for her great-grandmother
Wren Calloway. The bird appears exactly once per piece, never twice — and never on the order
of service, because the service is not about the bird.
- The cross
- A slim typographic Latin cross, the shape of the chapel's own, and it is the
only religious mark anywhere in the suite. Nothing heavier, nothing added.
- Luncheon
- Standing, in the garden at Church Street, served from twelve. Cake is cut at
one, after the toast to the godparents — not before.
- Material
- Letterpress from photopolymer, one blue ink in three tint strengths, soft-white
cotton rag at 600 gsm duplexed, deckled on the long edges, with a printed liner of the same garden.
No foil, no emboss, no wax seal. Envelopes are addressed by hand in the same blue.
Please do not
- No pastel nursery register — no storks, no rattles, no prams, no baby-blue, no cartoon animals,
no “Oh Baby” script.
- No gold, silver or any metallic. The bowl has none and neither should the suite.
- No second accent colour. The blue carries everything.
- No heavy graphic crucifix — the only religious mark is the slim typographic cross.
- No photography of the baby on any printed piece.
- No florals that do not grow in the chapel garden — no stock peonies, no eucalyptus, no pampas.
This list is the family's own words. The standard they gave
us was Caroline's: “I want it to look like something that has always been in the system.”
Questions about anything on this sheet
Ask the studio directly rather than working around a detail —
hello@evorrah.com. Artwork, vector files and colour references
for anything listed here can be sent to a supplier on request.